<?xml version="1.0" encoding="UTF-8"?><ItemSearchResponse xmlns="http://webservices.amazon.com/AWSECommerceService/2005-02-23"><OperationRequest><HTTPHeaders><Header Name="UserAgent" Value="Mozilla/5.0 (Windows; U; Windows NT 5.1; ko-KR; rv:1.7.5) Gecko/20041111 Firefox/1.0"></Header></HTTPHeaders><RequestId>04654DK3BF932HSRMJZ1</RequestId><Arguments><Argument Name="Service" Value="AWSECommerceService"></Argument><Argument Name="ItemPage" Value="2"></Argument><Argument Name="SearchIndex" Value="MusicTracks"></Argument><Argument Name="SubscriptionId" Value="0CNXJKY3C82HD479K602"></Argument><Argument Name="Keywords" Value="country"></Argument><Argument Name="ResponseGroup" Value="Large"></Argument><Argument Name="Operation" Value="ItemSearch"></Argument></Arguments><RequestProcessingTime>0.599269866943359</RequestProcessingTime></OperationRequest><Items><Request><IsValid>True</IsValid><ItemSearchRequest><ItemPage>2</ItemPage><Keywords>country</Keywords><ResponseGroup>Large</ResponseGroup><SearchIndex>MusicTracks</SearchIndex></ItemSearchRequest></Request><TotalResults>11385</TotalResults><TotalPages>1139</TotalPages><Item><ASIN>B00008F5FA</ASIN><DetailPageURL>http://www.amazon.com/exec/obidos/redirect?tag=ws%26link_code=xm2%26camp=2025%26creative=165953%26path=http://www.amazon.com/gp/redirect.html%253fASIN=B00008F5FA%2526location=/o/ASIN/B00008F5FA%25253FSubscriptionId=0CNXJKY3C82HD479K602</DetailPageURL><ItemAttributes><Artist>Rosalie Sorrels</Artist><Binding>Audio Cassette</Binding><Label>Green Linnet</Label><ListPrice><Amount>1098</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$10.98</FormattedPrice></ListPrice><NumberOfTracks>17</NumberOfTracks><ProductGroup>Music</ProductGroup><ReleaseDate>1994-01-17</ReleaseDate><Title>What Does It Mean to Love?</Title><UPC>048248211345</UPC></ItemAttributes><OfferSummary><TotalNew>0</TotalNew><TotalUsed>0</TotalUsed><TotalCollectible>0</TotalCollectible><TotalRefurbished>0</TotalRefurbished></OfferSummary><Offers><TotalOffers>1</TotalOffers><TotalOfferPages>1</TotalOfferPages><Offer><Merchant><MerchantId>ATVPDKIKX0DER</MerchantId><GlancePage>http://www.amazon.com/gp/help/seller/home.html?seller=ATVPDKIKX0DER</GlancePage></Merchant><OfferAttributes><Condition>New</Condition></OfferAttributes><OfferListing><Availability>This item is currently not available by this merchant</Availability></OfferListing></Offer></Offers><Tracks><Disc Number="1"><Track Number="1">There Was an Old Woman</Track><Track Number="2">"When Much in the Woods as a Child..."</Track><Track Number="3">Place to Be</Track><Track Number="4">"I Have Watched and Respected the Solitude of a Child..."</Track><Track Number="5">Turn Around</Track><Track Number="6">"And I Have Turned Around So Many Times..."</Track><Track Number="7">Hi-Fi Stereo Color TV</Track><Track Number="8">Green-Eyed Dragon</Track><Track Number="9">Adventures of Isabelle</Track><Track Number="10">Waltzing With Bears/"The Neat Thing About My Father Was..."</Track><Track Number="11">Monologue</Track><Track Number="12">What Does It Mean to Love?</Track><Track Number="13">Broken Token {from the Singing Street}</Track><Track Number="14">Love Is a Silly Thing</Track><Track Number="15">"Well, I Certainly Am a Country Girl..."</Track><Track Number="16">Apples and Pears</Track><Track Number="17">Cat That Walked by Himself</Track></Disc></Tracks><BrowseNodes><BrowseNode><BrowseNodeId>63719</BrowseNodeId><Name>Traditional 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J</Artist><Binding>Audio CD</Binding><ListPrice><Amount>999</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$9.99</FormattedPrice></ListPrice><NumberOfDiscs>1</NumberOfDiscs><NumberOfTracks>20</NumberOfTracks><ProductGroup>Music</ProductGroup><ReleaseDate>2000-10-04</ReleaseDate><Title>"Eddy J's Fun Songs!"</Title><UPC>641707001428</UPC></ItemAttributes><OfferSummary><TotalNew>0</TotalNew><TotalUsed>0</TotalUsed><TotalCollectible>0</TotalCollectible><TotalRefurbished>0</TotalRefurbished></OfferSummary><Offers><TotalOffers>1</TotalOffers><TotalOfferPages>1</TotalOfferPages><Offer><Merchant><MerchantId>ATVPDKIKX0DER</MerchantId><GlancePage>http://www.amazon.com/gp/help/seller/home.html?seller=ATVPDKIKX0DER</GlancePage></Merchant><OfferAttributes><Condition>New</Condition></OfferAttributes><OfferListing><Availability>This item is currently not available by this merchant</Availability></OfferListing></Offer></Offers><EditorialReviews><EditorialReview><Source>Album Description</Source><Content>There are no other kids songs like "Eddy J's Fun Songs!" Kid's love to listen, learn &amp; have fun.  (SSh... Adults love these songs too!)  Unique &amp; different Kids songs!</Content></EditorialReview></EditorialReviews><Tracks><Disc Number="1"><Track Number="1">"The Tongue Twister Song" - I'll bet you can't sing the Tongue Twister Song!</Track><Track Number="2">"This Crazy Song" - Can you figure out This Crazy Song!</Track><Track Number="3">"Take Me Out To The Ball Game" - Have you ever heard such a wacky</Track><Track Number="4">"Spellers Delight" - A fun spelling song</Track><Track Number="5">"The Fifty States Song" - Learn the Fifty States - In alphabetical order!</Track><Track Number="6">"The Knock Knock Song" - A fun song for kids!</Track><Track Number="7">"The Fussier Bunch" - Imagine if animals could order food from menus!</Track><Track Number="8">"Space" - Learn the planets and our solar system!</Track><Track Number="9">"My Car" - A fun travel song!</Track><Track Number="10">"Our Splendid Country" - In Our Splendid Country we can all be our best!</Track><Track Number="11">"The Tongue Twister Song"</Track><Track Number="12">"This Crazy Song"</Track><Track Number="13">"Take Me Out To The Ball Game"</Track><Track Number="14">"Spellers Delight"</Track><Track Number="15">"The Fifty States Song"</Track><Track Number="16">"The Knock Knock Song"</Track><Track Number="17">"The Fussier Bunch"</Track><Track Number="18">"Space"</Track><Track Number="19">"My Car"</Track><Track Number="20">"Our Splendid Country"</Track></Disc></Tracks><ListmaniaLists><ListmaniaList><ListId>QY4OXT15FRQR</ListId><ListName>More Kid Stuff</ListName></ListmaniaList></ListmaniaLists></Item><Item><ASIN>B000001SDH</ASIN><DetailPageURL>http://www.amazon.com/exec/obidos/redirect?tag=ws%26link_code=xm2%26camp=2025%26creative=165953%26path=http://www.amazon.com/gp/redirect.html%253fASIN=B000001SDH%2526location=/o/ASIN/B000001SDH%25253FSubscriptionId=0CNXJKY3C82HD479K602</DetailPageURL><SalesRank>49249</SalesRank><SmallImage><URL>http://images.amazon.com/images/P/B000001SDH.01._SCTHUMBZZZ_.jpg</URL><Height>50</Height><Width>50</Width></SmallImage><MediumImage><URL>http://images.amazon.com/images/P/B000001SDH.01._SCMZZZZZZZ_.jpg</URL><Height>130</Height><Width>130</Width></MediumImage><LargeImage><URL>http://images.amazon.com/images/P/B000001SDH.01._SCLZZZZZZZ_.jpg</URL><Height>300</Height><Width>300</Width></LargeImage><ItemAttributes><Binding>Audio CD</Binding><Creator Role="Composer">Charles Ives</Creator><Creator Role="Conductor">James Sinclair</Creator><Creator Role="Performer">Steven Thomas</Creator><Label>Koch Int'l Classics</Label><ListPrice><Amount>1798</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$17.98</FormattedPrice></ListPrice><NumberOfTracks>15</NumberOfTracks><ProductGroup>Music</ProductGroup><ReleaseDate>1993-03-11</ReleaseDate><Title>The Orchestral Music of Charles Ives: World Premieres and First Editions</Title><UPC>099923702528</UPC></ItemAttributes><OfferSummary><LowestNewPrice><Amount>1284</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$12.84</FormattedPrice></LowestNewPrice><LowestUsedPrice><Amount>1284</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$12.84</FormattedPrice></LowestUsedPrice><LowestCollectiblePrice><Amount>3350</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$33.50</FormattedPrice></LowestCollectiblePrice><TotalNew>17</TotalNew><TotalUsed>7</TotalUsed><TotalCollectible>1</TotalCollectible><TotalRefurbished>0</TotalRefurbished></OfferSummary><Offers><TotalOffers>1</TotalOffers><TotalOfferPages>1</TotalOfferPages><Offer><Merchant><MerchantId>ATVPDKIKX0DER</MerchantId><GlancePage>http://www.amazon.com/gp/help/seller/home.html?seller=ATVPDKIKX0DER</GlancePage></Merchant><OfferAttributes><Condition>New</Condition></OfferAttributes><OfferListing><OfferListingId>8Pw6hSdIu1iAba0kEdoWchEQV4A%2FpWjexHJ1mP4b9BLgoYVm8NvicLjD%2B95spup%2FBDfSrYHO5Q8%3D</OfferListingId><Price><Amount>1499</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$14.99</FormattedPrice></Price><Availability>Usually ships in 5 to 6 days</Availability></OfferListing></Offer></Offers><CustomerReviews><AverageRating>5.0</AverageRating><TotalReviews>4</TotalReviews><TotalReviewPages>1</TotalReviewPages><Review><ASIN>B000001SDH</ASIN><Rating>5</Rating><HelpfulVotes>2</HelpfulVotes><CustomerId>A3BA5RT5HOMJ1J</CustomerId><TotalVotes>3</TotalVotes><Date>2003-03-19</Date><Summary>This is a must have</Summary><Content>The Ragtime pieces in the beginning are really *very* good and imaginative. I realized while listening that the composer that wrote for the early Loonie Tunes cartoons featuring Bugs Bunny *must* have been thinking of this music when he wrote his. Considering the time period, this thought makes perfect sense. The music manages to capture the zietgeist of Ives' world yet stands as a timeless expression of what it is to live. This is such extraordinary writing and is captured with some of the best playing I have heard of Ives since Bernstein.</Content></Review><Review><ASIN>B000001SDH</ASIN><Rating>5</Rating><HelpfulVotes>22</HelpfulVotes><CustomerId>A31C4P50CH9ET4</CustomerId><TotalVotes>22</TotalVotes><Date>2003-01-05</Date><Summary>Some valuable "Critical Edition" performances here.</Summary><Content>James Sinclair, for many years, has been associated with the music of Charles Ives, through both the Charles Ives Society and his work with the Ives Library at Yale University. So it should surprise no one (well, no Ivesian) that any performances of the music of Ives that Sinclair commits to disc will be authoritative.&lt;br /&gt;&lt;br /&gt;That is certainly the case for this Koch Classics release, in which Sinclair conducts the Orchestra New England, formerly the Yale Theater Orchestra and a group that understands Ives performance practices as well as any; they've got this music in their blood. Better yet, every Ives piece on this CD is either [a] a world premiere or [b] a first recording of a Charles Ives Society critical edition, prepared either by Sinclair or by Kenneth Singleton, Sinclair's colleague.&lt;br /&gt;&lt;br /&gt;To me, the most important piece on this CD is the version-for-small-orchestra performance of a true Ives masterpiece, his "Three Places in New England" (also known as his "First Orchestral Set"). Much of Ive's music was never performed within his lifetime, except for his (largely) private benefit, on those occasions when he would pay the musicians of a small "theater orchestra" out of his own pocket, just so he had some idea of what his compositions would sound like. Fortunately, "Three Places in New England" is one work that was. But not in its original form, for large orchestra. As Sinclair makes clear in his booklet notes, Ives - at the request of Nicolas Slonimsky - rewrote the work for small orchestra (Slonimsky's Boston Chamber Players), who premiered the work in this form in 1931. (Slonimsky then concertized in Europe with the music of Ives and other "moderns - Cowell, Ruggles and Varèse to name three - in a tour that included Slonimsky's conducting of the Berlin Philharmonic, a separate saga unto itself.) This critical edition largely restores the "for Slonimsky" chamber orchestra version at the same time that it cleans up many errors that were the result of Ives's doing the transcription under conditions of time pressures and poor health. Heard in this form, "Three Places" is truly a revelation in terms of how the textures are clarified and cleaned up and thus how the individual instrumental lines are permitted to "sound" without their being submerged in the background of a large symphony orchestra. Nowhere is this more evident than in the final movement of "Three Places": "The Housatonic at Stockbridge." Some call this Ives's very finest work, and I'm not of a mind to argue with them. Its initial quiet impressionism soon overwhelmed by full orchestral dynamics, only to have the full orchestra stop while leaving just soft strings at the very end, is a sublime example of Ives at his transcendental best. And I've never heard it performed (or sound) better than it does in this "Critical Edition" performance for small orchestra, surely in a form very close to its first performances by Slonimsky.&lt;br /&gt;&lt;br /&gt;All of the works on this album can be considered "early" works, in that even the newest ("Three Places in New England") almost "makes it" into the first fully-productive decade of Ives's life as a composer. It is actually a canard - and an unfair appraisal of Ives the composer - to state that his music became more complex, both harmonically and rythmically, as he grew older. He wrote complex works as a relatively young man, and simple works as he got older. The "long arc" of his work was not from "the simple to the complex" but from the "commonplace (in terms of its materials, not its complexities, for which rhythmic and harmonic complexities abounded) to the ultimately transcendental, whether simple or complex."&lt;br /&gt;&lt;br /&gt;Thus, on this album, we have the near-contemporaneous juxtaposition of a rather "Brahmsian" style of the early "Postlude in F" (but not without its Ivesian harmonic touches) and the riotous "Calcium Night Light." And, over an equivalently short span of time, we have the "Set of Four Ragtime Dances" set against the far more modern-sounding 1906 "Set for Theatre Orchestra," wiith its near-atonal (but very impressionistic) "In the Cage" (at barely a minute and a few seconds, a minor masterpiece). And, from the same period, the lovely "Largo cantibile" Hymn" with a beautiful cello solo.&lt;br /&gt;&lt;br /&gt;Aside from my earlier comments on the beauty of "Three Places in New England" in terms of its small-orchestra setting, it can further be said that every work on this album benefits not only from the editorial scrutiny of Messrs. Sinclair and Singleton, but from the superb playing of the Orchestra New England througout. Fine sound, too.&lt;br /&gt;&lt;br /&gt;The booklet notes state that Jim Sinclair arrived at Yale in 1972, and that he founded the Yale Theater Orchestra in 1974. This would have been a most propitious time for founding it, inasmuch as it was the year of the Ives centennial. It was also the year in which - on August 17 - Jim Sinclair and Ken Singleton were involved in an Ives centennial celebration concert on the lawn of Charlie's house in West Redding, CT, performing a few Ives premieres on that occasion with a mutual friend, Paul Winter, and his Consort. (Yes, THAT Paul Winter!) Thus, while Leonard Bernstein and Michael Tilson Thomas were celebrating the Ives centennial in a BIG way (in Danbury, Ives's birthplace but a town which he had largely put behind him when an adult), Jim Sinclair and Ken Singleton and a few surprisingly unusual friends - from a strictly musical standpoint - were having their own Ives centennial on Charlie's lawn, in a manner that I think Charlie would really have liked. I'm one who is fortunate to have a souvenir program from that concert. Charlie would have loved the program, too.&lt;br /&gt;&lt;br /&gt;Bob Zeidler</Content></Review><Review><ASIN>B000001SDH</ASIN><Rating>5</Rating><HelpfulVotes>6</HelpfulVotes><CustomerId>A2E702GEH1KXG4</CustomerId><TotalVotes>6</TotalVotes><Date>2002-07-27</Date><Summary>A Well Lit View of Ives</Summary><Content>I was skeptical about this disc. Since I already owned every work on it, in one way or another, I just kept walking past it. But just like the Ives disc &quot;When the Moon...&quot;, this disc offers up a glimpse of many of the Ives minitures that are not to be had  elsewhere. Done by a chamber orchestra, which vividly brings out all the quirkiness and crazy-quilt Americana that can be buried with larger ensembles, the music here is brisk, profoundly well detailed and irresistable. Sinclair and the New England Orchestra, do justice to every note, making this CD a perfect adjunct to any Ives collection. In fact, I would consider it an essential for any Ives fan.  Don't be put off by the cover you see above.  This is a serious disc, and well worth the purchase. You can thank me later.</Content></Review><Review><ASIN>B000001SDH</ASIN><Rating>5</Rating><HelpfulVotes>8</HelpfulVotes><CustomerId>A2XP015IHS2QLE</CustomerId><TotalVotes>8</TotalVotes><Date>2001-08-26</Date><Summary>My Rosetta stone for Ives</Summary><Content>For years I'd been intrigued by Ives' music but had been stymied and ultimately put off by the knottier passages (which are many!)...Not for lack of trying or wanting to understand - no Rollo I! - I just didn't know what he expected me to make of all that &quot;good strong dissonance.&quot; Whereas, say, Stravinsky's (even Schoenberg's) famously &quot;dissonant&quot; music generally communicated to me pretty readily, Ives' didn't. Was it SUPPOSED to feel inscrutable? Or was there something else to get out of it? How was I supposed to parse it? Well, this recording was a sort of Rosetta stone for me. The early pieces here - the 'Country Band' March and the Ragtime Dances particularly - filled in the gap that I'd felt for so long, the missing link between Ives' music and the popular music which hovers in and around almost everything he wrote. These pieces are, essentially, &quot;take-offs&quot; of standard forms (as per the titles): outlandishly adventurous for their time (and thoroughly amusing) but nonetheless relatively down-to-earth compared to Ives' later works. The Ivesian outbursts and distortions are here more clearly etched against their contexts and are therefore, to my ear, far easier to swallow. (An slight case of mixed metaphor, there, but let's move on.) The recording then offers the chance to see how Ives reworked the same material in more elaborate and obscure ways - &quot;Putnam's Camp&quot; incorporates the 'Country Band' March; &quot;In the Inn&quot; recasts one of the Ragtime Dances. Not to mention that the 4 Ragtime Dances are a fascinating chance to hear Ives work over essentially the same materials in four different ways. One can't help but begin to understand Ives' idiosyncracies (how he livens up a dull harmony with some extra dissonance, or a dull rhythm with some unexpected jerks and starts.) I would recommend supplementing these pieces with a recording of the First Piano Sonata, which, again, reuses much of the Ragtime material, but all in all aims for something much loftier. After having heard this recording I found that I was able to listen much 'deeper' into the First Piano Sonata - a profoundly satisfying experience. That in turn led me to a fuller appreciation for the celebrated Second Sonata, and from there the rest of Ives' output suddenly seemed entirely accessible. Well, a lot of it, at any rate. Perhaps I'm making this recording sound as though it's merely some sort of music appreciation tool; let me be entirely clear: this music is terrific in its own right. What I AM saying, in fact, is that even if you've already decided Ives isn't for you, you still ought to give this recording a chance. To the best of my knowledge, most of this material is unavailable on any other recording (this is, incidentally, an interesting smaller orchestration of the &quot;Three Places&quot; than the familiar version), and regardless, these are excellent, thrilling performances. Highly recommended.</Content></Review></CustomerReviews><SimilarProducts><SimilarProduct><ASIN>B000005IVT</ASIN><Title>Charles Ives Songs</Title></SimilarProduct><SimilarProduct><ASIN>B00007FKQM</ASIN><Title>Ives: Symphony No. 3</Title></SimilarProduct><SimilarProduct><ASIN>B0000026QA</ASIN><Title>Ives: Symphonies Nos. 1 &amp; 4/Hymns</Title></SimilarProduct><SimilarProduct><ASIN>B00005UED6</ASIN><Title>Ives: An American Journey</Title></SimilarProduct><SimilarProduct><ASIN>B0001HZ6MO</ASIN><Title>Ives: Concord Sonata; Songs</Title></SimilarProduct></SimilarProducts><Tracks><Disc Number="1"><Track Number="1">'Country Band' March</Track><Track Number="2">Set Of Four Ragtime Dances: Ragtime Dance No. 1 (Allegro moderato)</Track><Track Number="3">Set Of Four Ragtime Dances: Ragtime Dance No. 2 (Allegro moderato)</Track><Track Number="4">Set Of Four Ragtime Dances: Ragtime Dance No. 3 (Allegro)</Track><Track Number="5">Set Of Four Ragtime Dances: Ragtime Dance No. 4 (Allegro)</Track><Track Number="6">Postlude In F</Track><Track Number="7">Calcium Light Night</Track><Track Number="8">Yale-Princeton Football Game</Track><Track Number="9">Set For Theater Orchestra: In The Cage</Track><Track Number="10">Set For Theater Orchestra: In The Inn</Track><Track Number="11">Set For Theater Orchestra: In The Night</Track><Track Number="12">Largo Cantabile: Hymn</Track><Track Number="13">Three Places In New England: The 'Saint-Gaudens' In Boston Common</Track><Track Number="14">Three Places In New England: Putnam's Camp, Redding, Connecticut</Track><Track Number="15">Three Places In New England: The Housatonic At Stockbridge</Track></Disc></Tracks><BrowseNodes><BrowseNode><BrowseNodeId>22515</BrowseNodeId><Name>Ives, Charles</Name><Ancestors><BrowseNode><BrowseNodeId>22355</BrowseNodeId><Name>( I )</Name><Ancestors><BrowseNode><BrowseNodeId>5338</BrowseNodeId><Name>Featured Composers, A-Z</Name><Ancestors><BrowseNode><BrowseNodeId>85</BrowseNodeId><Name>Classical</Name><Ancestors><BrowseNode><BrowseNodeId>301668</BrowseNodeId><Name>Styles</Name><Ancestors><BrowseNode><BrowseNodeId>5174</BrowseNodeId></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode><BrowseNode><BrowseNodeId>36695</BrowseNodeId><Name>Marches</Name><Ancestors><BrowseNode><BrowseNodeId>36684</BrowseNodeId><Name>Theatrical, Incidental &amp; 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Scissors</Title><UPC>789397001127</UPC></ItemAttributes><OfferSummary><LowestNewPrice><Amount>1139</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$11.39</FormattedPrice></LowestNewPrice><LowestUsedPrice><Amount>1110</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$11.10</FormattedPrice></LowestUsedPrice><TotalNew>21</TotalNew><TotalUsed>15</TotalUsed><TotalCollectible>0</TotalCollectible><TotalRefurbished>0</TotalRefurbished></OfferSummary><Offers><TotalOffers>1</TotalOffers><TotalOfferPages>1</TotalOfferPages><Offer><Merchant><MerchantId>ATVPDKIKX0DER</MerchantId><GlancePage>http://www.amazon.com/gp/help/seller/home.html?seller=ATVPDKIKX0DER</GlancePage></Merchant><OfferAttributes><Condition>New</Condition></OfferAttributes><OfferListing><OfferListingId>6myG9cZx4PukM7%2BaK2dBqmN5b%2F63T0XUL8rNXQ7ERRC82n8JvRnYta7Si18vDTycqDQIYv8opzI%3D</OfferListingId><Price><Amount>1498</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$14.98</FormattedPrice></Price><Availability>Usually ships in 24 hours</Availability></OfferListing></Offer></Offers><CustomerReviews><AverageRating>5.0</AverageRating><TotalReviews>3</TotalReviews><TotalReviewPages>1</TotalReviewPages><Review><ASIN>B000001WXE</ASIN><Rating>5</Rating><HelpfulVotes>1</HelpfulVotes><CustomerId>A3KWX6NL5NSMT4</CustomerId><TotalVotes>1</TotalVotes><Date>2001-04-17</Date><Summary>leonard cohen meets john wayne</Summary><Content>Great Lyrics,Dark Alt-Country With A Real Sense Of Doom Around The Bend.</Content></Review><Review><ASIN>B000001WXE</ASIN><Rating>5</Rating><HelpfulVotes>8</HelpfulVotes><CustomerId>A3E6V5BKG5JC4P</CustomerId><TotalVotes>8</TotalVotes><Date>2000-06-14</Date><Summary>One of the great recordings of all time</Summary><Content>...For many folk, I'm sure, life begins with Through the Trees, the album that won such well deserved acclaim and took off in the UK after a track featured on 'that' Uncut sampler. If you were  worried that the Handsome's previous stuff wouldn't live up to that, or  their most recent, glorious 'In the Air', then fear not, for this is every  bit as good. There are no poor tracks, but some deserve a special mention.   Sway along together to the lilting cowboy paean 'Drunk by Noon' - possibly  the all time anthem to mediocrity with the deeply affecting chorus  &quot;Sometimes I flap my arms like a hummingbird, just to remind myself  I'll never fly: Sometimes I burn my arms with cigarettes, just to pretend I  won't scream when I die.&quot; Thrill to 'The House Carpenter's salutary  tale, show-casing of Rennie Sparks seldom heard voice. 'Amelia Earhart vs.  the Dancing Bear' is an upbeat sing-along recalling the last moments of the  famous aviators life. Great poetry! However, your price of admission would  be a bargain were it only for 2 tracks that I believe should take pride of  place in the esteem of anyone serious about this music/life business.  First, the instrumental 'Puddin' Fingers'.  No words of mine are sufficient  to the task of describing this; its just magnificent. And then, on to one  of, if not THE saddest, darkest, most tragic song ever written (and believe  me, I've heard most of them!) 'Emily Shore 1819-1839' has been coughing up  blood since the dogwoods bloomed.  Join her, propped up on pillows,  watching the snow fall, and trying, from her brief 17 years of life, to  picture an end to it all.  She does. The result is a song that seems to  encapsulate the deepest essence of what the Handsome's do best.  Bretts  voice is perfect and this, to me, is just about the best thing Rennie has  ever written. 'Twisted' is a word that frequently comes to mind when  considering the songs of the Handsome family. This implies deformity, but  the songs on this album and all those subsequent to it, are perfectly  formed and shot through with a unique clarity that is a rarity indeed.  &lt;p&gt;The Handsome Family and their friends deserve to be fabulously rich.  Please buy this stonker of a CD and help make this a reality.</Content></Review><Review><ASIN>B000001WXE</ASIN><Rating>5</Rating><HelpfulVotes>1</HelpfulVotes><CustomerId>AT3Q120JZWO4G</CustomerId><TotalVotes>2</TotalVotes><Date>1999-07-06</Date><Summary>an all-time great</Summary><Content>even though a little twangy for me at times, this one has remained in heavy rotation in my collection for years. there are some great tunes and even better lyrics here. even though you can't buy it new, i often see it  at used record stores (e.g. amoeba in the haight - San Francisco).</Content></Review></CustomerReviews><SimilarProducts><SimilarProduct><ASIN>B0000061O4</ASIN><Title>Through the Trees</Title></SimilarProduct><SimilarProduct><ASIN>B00004RDHK</ASIN><Title>In the Air</Title></SimilarProduct><SimilarProduct><ASIN>B00005OAI0</ASIN><Title>Twilight</Title></SimilarProduct><SimilarProduct><ASIN>B0000CD5FC</ASIN><Title>Singing Bones</Title></SimilarProduct><SimilarProduct><ASIN>B000001WX8</ASIN><Title>Odessa</Title></SimilarProduct></SimilarProducts><Tracks><Disc Number="1"><Track Number="1">Lake Geneva</Track><Track Number="2">Winnebago Skeletons</Track><Track Number="3">Drunk by Noon</Track><Track Number="4">House Carpenter</Track><Track Number="5">Dutch Boy</Track><Track Number="6">King Who Wouldn't Smile</Track><Track Number="7">Emily Shore 1819-1839</Track><Track Number="8">3-Legged Dog</Track><Track Number="9">#1 Country Song</Track><Track Number="10">Amelia Earhart vs. The Dancing Bear</Track><Track Number="11">Tin Foil</Track><Track Number="12">Puddin' Fingers</Track></Disc></Tracks><BrowseNodes><BrowseNode><BrowseNodeId>63687</BrowseNodeId><Name>Alt-Country &amp; 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Kerosene Dream is a great band and From the Sundown Sky is a great album.  The songs on this album have that folky, almost rockabilly, quality.  &quot;'79 Country Squire&quot; is a great roadtrip song and I always listen to it on the road changing the lyrics to suit the make and model of the car I am currently driving.  &quot;Chance&quot; is perhaps my favorite song on the album.  Not only is it a good, singable song, but lyrically I feel that it is about me.  &quot;All in Black&quot; is excellent with exceptional lyrics.  &quot;Phoenix&quot; is the song I bought the album for.  I first heard this song performed live on a local radio station years ago and I was amazed.  I went to see the band that weekend and purchased the album.  &quot;Phoenix&quot; is still probably their best song.  Kerosene Dream may not have &quot;made it big&quot; yet, but what the hell does the mainstream know anyway.  Kerosene Dream produces quality music and I am proud that they are from my home town!</Content></Review><Review><ASIN>B000005IKL</ASIN><Rating>5</Rating><HelpfulVotes>1</HelpfulVotes><CustomerId>A39O4VMIJVXTWA</CustomerId><TotalVotes>1</TotalVotes><Date>1999-11-01</Date><Summary>Kerosene Dream has the best roots music in the NorthWest.</Summary><Content>The first time I heard this album, I could'nt believe my ears. It stayed in my ears &amp; my CD player for weeks. Thier music &amp; thier lyrics  both have a down home feel that lifts the heart &amp; spirit. While  listening, you can't help but tap your foot, &amp; sing outloud. This CD  could quite possibly be the best one I have ever owned.</Content></Review><Review><ASIN>B000005IKL</ASIN><Rating>5</Rating><HelpfulVotes>1</HelpfulVotes><CustomerId>A2JVZQB3ED6ZVO</CustomerId><TotalVotes>1</TotalVotes><Date>1999-07-31</Date><Summary>Ten Thousand Famous Bands Aren't Close to This Good</Summary><Content>Some of these guys have been traipsing across the northwest since long before grunge's rise and (whew, thank god) fizzle.  Nine Days Wonder, The Renegade Saints--old Dave Coey bands that moved yer feet &amp; heart both.   Listen to the samples, buy the CD, nuff said.</Content></Review><Review><ASIN>B000005IKL</ASIN><Rating>5</Rating><HelpfulVotes>3</HelpfulVotes><CustomerId>A36W0BTW5RNMV1</CustomerId><TotalVotes>3</TotalVotes><Date>1999-04-19</Date><Summary>Portland's Best Kept Secret</Summary><Content>Portland's best kept secret is Kerosene Dream.  Three part harmonies and great song writing is felt throughout this album.  If you like Crosby, Stills, and Nash and The Allman Brothers... kick it up a notch to Kerosene  Dream!</Content></Review><Review><ASIN>B000005IKL</ASIN><Rating>5</Rating><HelpfulVotes>3</HelpfulVotes><CustomerId>ATVPDKIKX0DER</CustomerId><TotalVotes>3</TotalVotes><Date>1998-07-05</Date><Summary>A right-on dancing and driving album for the summer!</Summary><Content>The first time I heard Kerosene Dream play several months ago at a small Irish pub, I bought this album at the end of the show.  They immediately reeled me in with their exquisite harmonies and the masterful guitar playing of Ben Sturgill.  Ben, Bart, and Dave have spent years perfecting their craft, and their talents blend together for a tasty musical treat that I never tire of.  These boys rock!</Content></Review></CustomerReviews><Tracks><Disc Number="1"><Track Number="1">I Can See You</Track><Track Number="2">'79 Country Squire</Track><Track Number="3">Arizona Lightning</Track><Track Number="4">Style</Track><Track Number="5">Chance</Track><Track Number="6">Wicked Rain</Track><Track Number="7">4th of July</Track><Track Number="8">Last Chance for Glory</Track><Track Number="9">Outlaw Song</Track><Track Number="10">All in Black</Track><Track Number="11">Phoenix</Track><Track Number="12">Magdalene</Track><Track Number="13">Hanna Cove Rest Home</Track></Disc></Tracks><BrowseNodes><BrowseNode><BrowseNodeId>468110</BrowseNodeId><Name>Rock Jam Bands</Name><Ancestors><BrowseNode><BrowseNodeId>225374</BrowseNodeId><Name>Jam 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merchant</Availability></OfferListing></Offer></Offers><Tracks><Disc Number="1"><Track Number="1">There Was an Old Woman</Track><Track Number="2">"When Much in the Woods as a Child..."</Track><Track Number="3">Place to Be</Track><Track Number="4">"I Have Watched and Respected the Solitude of a Child..."</Track><Track Number="5">Turn Around</Track><Track Number="6">"And I Have Turned Around So Many Times..."</Track><Track Number="7">Hi-Fi Stereo Color TV</Track><Track Number="8">Green-Eyed Dragon</Track><Track Number="9">Adventures of Isabelle</Track><Track Number="10">Waltzing With Bears/"The Neat Thing About My Father Was..."</Track><Track Number="11">Monologue</Track><Track Number="12">What Does It Mean to Love?</Track><Track Number="13">Broken Token {from the Singing Street}</Track><Track Number="14">Love Is a Silly Thing</Track><Track Number="15">"Well, I Certainly Am a Country Girl..."</Track><Track Number="16">Apples and Pears</Track><Track Number="17">Cat That Walked by Himself</Track></Disc></Tracks><BrowseNodes><BrowseNode><BrowseNodeId>63716</BrowseNodeId><Name>General</Name><Ancestors><BrowseNode><BrowseNodeId>32</BrowseNodeId><Name>Folk</Name><Ancestors><BrowseNode><BrowseNodeId>301668</BrowseNodeId><Name>Styles</Name><Ancestors><BrowseNode><BrowseNodeId>5174</BrowseNodeId></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode><BrowseNode><BrowseNodeId>63719</BrowseNodeId><Name>Traditional 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CD</Binding><Creator Role="Composer">Johann Sebastian Bach</Creator><Creator Role="Composer">Gustav Holst</Creator><Creator Role="Composer">Joseph Schwantner</Creator><Creator Role="Composer">Percy Grainger</Creator><Creator Role="Composer">Charles Ives</Creator><Creator Role="Composer">Dmitry Shostakovich</Creator><Creator Role="Composer">Nikolay Andreyevich Rimsky-Korsakov</Creator><Creator Role="Composer">Michio Mamiya</Creator><Creator Role="Composer">John Philip Sousa</Creator><Creator Role="Conductor">Donald Hunsberger</Creator><Creator Role="Performer">Marie Alatalo</Creator><Label>Sony</Label><ListPrice><Amount>998</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$9.98</FormattedPrice></ListPrice><NumberOfTracks>18</NumberOfTracks><ProductGroup>Music</ProductGroup><ReleaseDate>1992-05-19</ReleaseDate><Title>Eastman Wind Ensemble Live in Osaka</Title><UPC>074644719826</UPC></ItemAttributes><OfferSummary><LowestNewPrice><Amount>717</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$7.17</FormattedPrice></LowestNewPrice><LowestUsedPrice><Amount>717</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$7.17</FormattedPrice></LowestUsedPrice><TotalNew>17</TotalNew><TotalUsed>10</TotalUsed><TotalCollectible>0</TotalCollectible><TotalRefurbished>0</TotalRefurbished></OfferSummary><Offers><TotalOffers>1</TotalOffers><TotalOfferPages>1</TotalOfferPages><Offer><Merchant><MerchantId>ATVPDKIKX0DER</MerchantId><GlancePage>http://www.amazon.com/gp/help/seller/home.html?seller=ATVPDKIKX0DER</GlancePage></Merchant><OfferAttributes><Condition>New</Condition></OfferAttributes><OfferListing><OfferListingId>U9d1ymSSTXy6eV4lfEsWJPjPwpx0MEROyV5lZA0dJLOUMWO0hwnfoMOBt4FoUcSZ7dXnxSlO2uc%3D</OfferListingId><Price><Amount>998</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$9.98</FormattedPrice></Price><Availability>Usually ships in 24 hours</Availability></OfferListing></Offer></Offers><CustomerReviews><AverageRating>5.0</AverageRating><TotalReviews>8</TotalReviews><TotalReviewPages>2</TotalReviewPages><Review><ASIN>B0000027IY</ASIN><Rating>3</Rating><HelpfulVotes>1</HelpfulVotes><CustomerId>A3IMK0UC0KCHZJ</CustomerId><TotalVotes>2</TotalVotes><Date>2004-06-22</Date><Summary>Good program, occasionally shaky performance</Summary><Content>Any Band enthusiast knows that the Eastman Wind Ensemble is the back bone of what we do, they were the first &quot;wind ensemble&quot; and the recordings are still standard.  The original Mercury Monos of the 50s are all must-owns despite the poor recording quality occasionally.  &quot;Live in Osaka&quot; is an outstanding cd, and is a great crash course in band music (who ever dreamed of putting the Holst Suite, Lincolnshire, Stars and Stripes and Festive all on ONE CD?!) but the performance falls short in a few places.  There is some brass inaccuracy in Festive Overture,  Stars and Stripes and a BIG splat at the end of the &quot;March&quot; in the Holst Suite #1.  Don't get me wrong, this is overall a solid performance and a CD I enjoy listening to.  I also question Hunsburger's tempos in Lincolnshire a tad, he takes off for the races in the first movement!  Even though its great to have them all on one cd, get yourself a good mix of the Mercury Monos and some Cleveland Symphonic Winds cds if you want &quot;standard band lit&quot;.</Content></Review><Review><ASIN>B0000027IY</ASIN><Rating>5</Rating><HelpfulVotes>2</HelpfulVotes><CustomerId>AH08WQG9NRMHX</CustomerId><TotalVotes>2</TotalVotes><Date>2002-10-18</Date><Summary>Eastman another very good cd...</Summary><Content>Eastman Wind ensemble is one of the best wind orchestras in the world ,in the same class as the Tokyo Kosei wind orchestra.&lt;br&gt;As always the eastman wind amazes us with theyr very good musicality and ensemble...another very good cd to own for any wind player....</Content></Review><Review><ASIN>B0000027IY</ASIN><Rating>5</Rating><HelpfulVotes>3</HelpfulVotes><CustomerId>A17NFEX0N7QF6N</CustomerId><TotalVotes>3</TotalVotes><Date>2002-06-04</Date><Summary>simply magnificent ! ......</Summary><Content>That an ensemble could play this beautifully is hard to imagine.  If you've ever enjoyed a wonderful ensemble, a perfect concert, or a the thrill of a &quot;tight&quot;, well-rehearsed concert band, you know then what to expect from this CD.  The performances are great and the sound magnificent.  The selection of music spans traditional to modern, and the ensemble rises to the occasion no-matter what the piece.  A must-buy CD.</Content></Review><Review><ASIN>B0000027IY</ASIN><Rating>5</Rating><HelpfulVotes>1</HelpfulVotes><CustomerId>AUNM2RDJIRPOA</CustomerId><TotalVotes>1</TotalVotes><Date>2002-02-03</Date><Summary>One Of The EWE'S Best!</Summary><Content>I own many many of the Eastman Wind Ensembles Recordings and I have to say this is one of the greatest.&lt;br&gt;I have to say the Grainger works on this Cd are probably the best around, a great way to learn and to listen from the recording. The Shostakovich and Bach pieces are amazing as well&lt;br&gt;This is a  Great CD of many Great Works by many great composers. &lt;br&gt;You will enjoy it!</Content></Review><Review><ASIN>B0000027IY</ASIN><Rating>5</Rating><HelpfulVotes>2</HelpfulVotes><CustomerId>AUNM2RDJIRPOA</CustomerId><TotalVotes>2</TotalVotes><Date>2002-02-03</Date><Summary>One Of The EWE'S Best!</Summary><Content>I own many many of the Eastman Wind Ensembles Recordings and I have to say this is one of the greatest.&lt;br&gt;I have to say the Grainger works on this Cd are probably the best around, a great way to learn and to listen from the recording. The Shostakovich and Bach pieces are amazing as well&lt;br&gt;This is a  Great CD of many Great Works by many great composers. &lt;br&gt;You will enjoy it!</Content></Review></CustomerReviews><SimilarProducts><SimilarProduct><ASIN>B00000IIX5</ASIN><Title>Suites 1 &amp; 2 / Folk Song Suite / Toccata Marziale</Title></SimilarProduct><SimilarProduct><ASIN>B0000057L7</ASIN><Title>Frederick Fennell &amp; the Eastman Wind Ensemble: Grainger; Persichetti...</Title></SimilarProduct><SimilarProduct><ASIN>B0000026PX</ASIN><Title>Vaughan Williams: Toccata Marziale/Variations for Wind Band/Hindemith: Konzertmusik for Blasorchester Op.41/Copland:</Title></SimilarProduct><SimilarProduct><ASIN>B0000057LU</ASIN><Title>Frederick Fennell &amp; the Eastman Wind Ensemble: Sullivan; Rossini-Respighi...</Title></SimilarProduct><SimilarProduct><ASIN>B0000057KR</ASIN><Title>British And American Band Classics</Title></SimilarProduct></SimilarProducts><Tracks><Disc Number="1"><Track Number="1">Toccata &amp; Fugue In D Minor, BWV 565</Track><Track Number="2">First Suite In E-Flat Major For Military Band, Op. 28, No. 1: I. 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Let's do "The Super Bowl Twist!" and "Let's Go Limbo!" (A little game while we're tailgating!)  Rock along with Eddy J as he sings "The Playin' Them Super Bowl Champs Blues!" and "I'm Proud To Be A Football Fan!" and many more original football fan songs!  The perfect gift for your football fan!</Content></EditorialReview></EditorialReviews><Tracks><Disc Number="1"><Track Number="1">"THE SUPER BOWL TWIST!" (NATIONAL GROOVE)(2:12)</Track><Track Number="2">"THE SUPER BOWL TWIST!" (AMERICAN GROOVE)(2:12)</Track><Track Number="3">"THE PLAYIN THEM SUPER BOWL CHAMPS BLUES!" (3:33)</Track><Track Number="4">"LET'S GO LIMBO!" (3:10)</Track><Track Number="5">"I'M PROUD TO BE A FOOTBALL FAN!" (3:08)</Track><Track Number="6">"FOOTBALL FAN LOVES!" (2:32)</Track><Track Number="7">"WE'RE WITH OUR FAVORITE TEAM ONCE AGAIN!" (2:28)</Track><Track Number="8">"YEAH!" (3:12)</Track><Track Number="9">"NOTHIN' TO LOSE!" (3:14)</Track><Track Number="10">"OUR SPLENDID COUNTRY!" (3:28)</Track><Track Number="11">"THE SUPER BOWL TWIST!" (2:12)</Track><Track Number="12">"THE PLAYIN' THEM SUPER BOWL CHAMPS BLUES! (3:33)</Track><Track Number="13">"LET'S GO LIMBO!" (3:19)</Track><Track Number="14">"I'M PROUD TO BE A FOOTBALL FAN!"</Track><Track Number="15">"FOOTBALL FAN LOVES!" (2:32)</Track><Track Number="16">"WE'RE WITH OUR FAVORITE TEAM ONCE AGAIN!" (2:28)</Track></Disc></Tracks><BrowseNodes><BrowseNode><BrowseNodeId>520284</BrowseNodeId><Name>Pop Rock</Name><Ancestors><BrowseNode><BrowseNodeId>171249</BrowseNodeId><Name>Pop</Name><Ancestors><BrowseNode><BrowseNodeId>266023</BrowseNodeId><Name>Indie Music</Name><Ancestors><BrowseNode><BrowseNodeId>468040</BrowseNodeId><Name>Substores</Name><Ancestors><BrowseNode><BrowseNodeId>5174</BrowseNodeId></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></BrowseNodes></Item><Item><ASIN>B000087JBC</ASIN><DetailPageURL>http://www.amazon.com/exec/obidos/redirect?tag=ws%26link_code=xm2%26camp=2025%26creative=165953%26path=http://www.amazon.com/gp/redirect.html%253fASIN=B000087JBC%2526location=/o/ASIN/B000087JBC%25253FSubscriptionId=0CNXJKY3C82HD479K602</DetailPageURL><SalesRank>315670</SalesRank><ItemAttributes><Artist>Ho-Hum</Artist><Binding>Audio CD</Binding><Label>Playadel</Label><ListPrice><Amount>1598</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$15.98</FormattedPrice></ListPrice><NumberOfTracks>11</NumberOfTracks><ProductGroup>Music</ProductGroup><ReleaseDate>2003-01-07</ReleaseDate><Title>Near &amp; Dear</Title><UPC>656605932422</UPC></ItemAttributes><OfferSummary><LowestNewPrice><Amount>500</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$5.00</FormattedPrice></LowestNewPrice><LowestUsedPrice><Amount>798</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$7.98</FormattedPrice></LowestUsedPrice><TotalNew>10</TotalNew><TotalUsed>8</TotalUsed><TotalCollectible>0</TotalCollectible><TotalRefurbished>0</TotalRefurbished></OfferSummary><Offers><TotalOffers>1</TotalOffers><TotalOfferPages>1</TotalOfferPages><Offer><Merchant><MerchantId>ATVPDKIKX0DER</MerchantId><GlancePage>http://www.amazon.com/gp/help/seller/home.html?seller=ATVPDKIKX0DER</GlancePage></Merchant><OfferAttributes><Condition>New</Condition></OfferAttributes><OfferListing><OfferListingId>RQ2PHZ2y2b3sL0i4SLikEqnuRMmx24B8xaLZPT%2BFBSy8Kz6iIRvh1YFe1ALmrFIlH0tGr76U%2B5Y%3D</OfferListingId><Price><Amount>1598</Amount><CurrencyCode>USD</CurrencyCode><FormattedPrice>$15.98</FormattedPrice></Price><Availability>Usually ships in 24 hours</Availability></OfferListing></Offer></Offers><CustomerReviews><AverageRating>5.0</AverageRating><TotalReviews>2</TotalReviews><TotalReviewPages>1</TotalReviewPages><Review><ASIN>B000087JBC</ASIN><Rating>5</Rating><HelpfulVotes>0</HelpfulVotes><CustomerId>A36P0RMNJ7S2T7</CustomerId><TotalVotes>0</TotalVotes><Date>2003-09-25</Date><Summary>Review by Mike Marlett for F5 Wichita</Summary><Content>Originally published May 29, 2003&lt;br&gt;by Mike Marlett   &lt;p&gt;Last year's Near and Dear might be one of the most infectious pop albums of all time. &lt;p&gt;Ho-Hum goes above and beyond the call of duty for a normal independent band. Based in Little Rock, it not only owns not only its own label - Playadel - but it's own record store - Anthro-Pop. &lt;p&gt;Founders - and brothers - Rod and Lenny Bryan controlled every aspect of this album. And their love of music and technical control shines through. &lt;p&gt;The tracks warble, pop and jingle. They pass from light-hearted bouncing on tracks such as &quot;Ordinary People&quot; to the earnest, keyboard-based ballad &quot;Ladyboy.&quot; They all seem nostalgic for the big '80s yet as cutting edge as Wilco's much-acclaimed Yankee Hotel Foxtrot. &lt;p&gt;It can be hard to think about. But, being independent, Ho-Hum doesn't really care what you think. &lt;p&gt;&quot;I'm Wakin' Up&quot; starts the album off with a sliding, hypnotic statement of independence: &quot;I don't give a damn about your rock 'n' roll; I just want to find a key for my keyhole.&quot; &lt;p&gt;It's almost hard to describe how effective the hook of each song is. Happy and mumbled, you haven't mindlessly hummed along with songs like these since Nirvana invited us to sniff the Teen Spirit. But unlike Nirvana, there is no slashing out at the fans. Just some melancholy. &lt;p&gt;Some tracks are just playful. &quot;Writing Country&quot; scratches along like an old 45, clicks like a typewriter and blurs words to define itself. The official lyrics say, &quot;Took writing/riding lessons; Intellectual Digressions.&quot; Writing/riding become one word, a trick that plays out in later lines with &quot;There's an [axe-see-int] That must be mastered; To avoid a 'cred disaster.&quot; And that it does. &lt;p&gt;Ho-Hum/Playadel's website, www.playadel.com.</Content></Review><Review><ASIN>B000087JBC</ASIN><Rating>5</Rating><HelpfulVotes>2</HelpfulVotes><CustomerId>A1ZYJ2EDG1TH7B</CustomerId><TotalVotes>2</TotalVotes><Date>2003-03-12</Date><Summary>New York Press Music Review by Kevin Canfield</Summary><Content>Near and Dear&lt;p&gt;Ho-Hum&lt;br&gt;(Playadel) &lt;p&gt;A little less than a year ago after the Strokes hysteria had run its course but before we were all subjected to that awful Springsteen record-the national media told readers that it had discovered the site of rock's Next Big Thing. The indie movement of the moment was occurring in, of all places on the planet, Omaha, NE. Big, glossy magazines weighed in with breathless pieces on Omaha bands like Cursive and the Faint, and Bright Eyes frontman Conor Oberst, he of the perfectly mussed hair, big doleful eyes and increasingly smug social consciousness, emerged as a full-blown Gen-Y cover boy.&lt;p&gt;The Cornhusker State seemed like a weird place for an alt-rock revival, but not as unlikely, perhaps, as Little Rock, AR. The taste-making rock critics have yet to descend on the city that gave us Clinton, Whitewater and all else that was right and wrong about America of the 1990s. But assuming these things are based on merit, not just p.r., those same critics will soon be trumpeting Little Rock artists like the magnificent Ho-Hum.&lt;p&gt;Near and Dear, released this month to absolutely no fanfare, is the sixth album from Ho-Hum (brothers Lenny and Rod Bryan, Samuel Heard and Brad Brown). It is a deeply catchy and layered disc, built on an amalgamation of influences, from the Pixies and Sonic Youth to Miracle Legion and XTC. The record comes at a time when the band is celebrating something of a creative renaissance and, while they're at it, enjoying their freedom from the viscous grip of major label glad-handers. &lt;p&gt;In 1996-not long after Universal Records released Ho-Hum's first album, Local-the band's four members felt they were ready to put out a followup. The label insisted on installing its own producers for the second record, and before long the band decided the situation was unworkable; they opted out of their contract with Universal and began a five-year journey that took them from a mega-major-label to the smallest of small record labels. Two years ago, after releasing a pair of discs with HTS Records, the band started its own label, Playadel; Near and Dear is the label's fifth release.&lt;p&gt;What's extraordinary about Near and Dear-and it is truly an extraordinary record-is the degree to which the band seems capable of doing almost anything. "I'm-A-Waking Up," the first song, is a swirling, triumphant riff on indifference and self-discovery, constructed around unobtrusive keyboard warbling and rhythmic drumming. It builds slowly, but by mid-song Lenny Bryan lets go with a howling coda for his apathetic youth: "Here's to hands holding you just like they want to hold me/Pray to yourselves you pirates of peace unfaithfully/Shame on myself for sleeping through the start of my life/I'm waking up to the best of peculiar life."&lt;p&gt;The second track, "Ordinary People," is as infectious as the first, but sonically quite different. Four-plus minutes of buoyant, almost bouncy pop-the guitars jangle and crunch, the synth skips right along-it does more with a simple five-word refrain than has any song in recent memory. "I came on very strong," Lenny Bryan repeats three times, emphasizing every second syllable before adding an emphatic "Indeed." &lt;p&gt;Elsewhere, the polymath quartet plays straight-ahead punk-tinged rock ("Handheld" sounds like it would've fit in on Death to the Pixies), unabashed love songs ("Corny"), winsome synth-pop ("NearandDear") and gleefully bitter breakup songs ("Land Ho!"). &lt;p&gt;This is an outstanding record from an unpretentious band. There is not a Conor Oberst among them.&lt;p&gt;Volume 16, Issue 4</Content></Review></CustomerReviews><Tracks><Disc Number="1"><Track Number="1">I'm-A-Waking Up</Track><Track Number="2">Ordinary People</Track><Track Number="3">Ladyboy</Track><Track Number="4">Handheld</Track><Track Number="5">Corny</Track><Track Number="6">Nearanddear</Track><Track Number="7">Watch for My Signal</Track><Track Number="8">Land Ho!</Track><Track Number="9">"Writing Country"</Track><Track Number="10">Exit Strategy</Track><Track Number="11">Inchoate!</Track></Disc></Tracks><BrowseNodes><BrowseNode><BrowseNodeId>67206</BrowseNodeId><Name>General</Name><Ancestors><BrowseNode><BrowseNodeId>40</BrowseNodeId><Name>Rock</Name><Ancestors><BrowseNode><BrowseNodeId>301668</BrowseNodeId><Name>Styles</Name><Ancestors><BrowseNode><BrowseNodeId>5174</BrowseNodeId></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode><BrowseNode><BrowseNodeId>513062</BrowseNodeId><Name>General</Name><Ancestors><BrowseNode><BrowseNodeId>406646</BrowseNodeId><Name>Vocal Pop</Name><Ancestors><BrowseNode><BrowseNodeId>37</BrowseNodeId><Name>Pop</Name><Ancestors><BrowseNode><BrowseNodeId>301668</BrowseNodeId><Name>Styles</Name><Ancestors><BrowseNode><BrowseNodeId>5174</BrowseNodeId></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode><BrowseNode><BrowseNodeId>520290</BrowseNodeId><Name>Traditional &amp; Vocal Pop</Name><Ancestors><BrowseNode><BrowseNodeId>171249</BrowseNodeId><Name>Pop</Name><Ancestors><BrowseNode><BrowseNodeId>266023</BrowseNodeId><Name>Indie Music</Name><Ancestors><BrowseNode><BrowseNodeId>468040</BrowseNodeId><Name>Substores</Name><Ancestors><BrowseNode><BrowseNodeId>5174</BrowseNodeId></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode><BrowseNode><BrowseNodeId>912012</BrowseNodeId><Name>General</Name><Ancestors><BrowseNode><BrowseNodeId>265640</BrowseNodeId><Name>Broadway &amp; Vocalists</Name><Ancestors><BrowseNode><BrowseNodeId>301668</BrowseNodeId><Name>Styles</Name><Ancestors><BrowseNode><BrowseNodeId>5174</BrowseNodeId></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></Ancestors></BrowseNode></BrowseNodes></Item></Items></ItemSearchResponse>